Three Men on the Bummel - Jerome Jerome Klapka - Страница 22
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"'For many things I like you. I like to look at you. I like to hear you sing. But I don't like your ways. Take this little box, and put your rubbish inside where I can't see it. Come out when you want to sing; but let your domestic arrangements be confined to the interior. Keep to the box, and don't make the garden untidy.'"
In Germany one breathes in love of order with the air, in Germany the babies beat time with their rattles, and the German bird has come to prefer the box, and to regard with contempt the few uncivilised outcasts who continue to build their nests in trees and hedges. In course of time every German bird, one is confident, will have his proper place in a full chorus. This promiscuous and desultory warbling of his must, one feels, be irritating to the precise German mind; there is no method in it. The music-loving German will organise him. Some stout bird with a specially well— developed crop will be trained to conduct him, and, instead of wasting himself in a wood at four o'clock in the morning, he will, at the advertised time, sing in a beer garden, accompanied by a piano. Things are drifting that way.
Your German likes nature, but his idea of nature is a glorified Welsh Harp. He takes great interest in his garden. He plants seven rose trees on the north side and seven on the south, and if they do not grow up all the same size and shape it worries him so that he cannot sleep of nights. Every flower he ties to a stick. This interferes with his view of the flower, but he has the satisfaction of knowing it is there, and that it is behaving itself. The lake is lined with zinc, and once a week he takes it up, carries it into the kitchen, and scours it. In the geometrical centre of the grass plot, which is sometimes as large as a tablecloth and is generally railed round, he places a china dog. The Germans are very fond of dogs, but as a rule they prefer them of china. The china dog never digs holes in the lawn to bury bones, and never scatters a flower-bed to the winds with his hind legs. From the German point of view, he is the ideal dog. He stops where you put him, and he is never where you do not want him. You can have him perfect in all points, according to the latest requirements of the Kennel Club; or you can indulge your own fancy and have something unique. You are not, as with other dogs, limited to breed. In china, you can have a blue dog or a pink dog. For a little extra, you can have a double-headed dog.
On a certain fixed date in the autumn the German stakes his flowers and bushes to the earth, and covers them with Chinese matting; and on a certain fixed date in the spring he uncovers them, and stands them up again. If it happens to be an exceptionally fine autumn, or an exceptionally late spring, so much the worse for the unfortunate vegetable. No true German would allow his arrangements to be interfered with by so unruly a thing as the solar system. Unable to regulate the weather, he ignores it.
Among trees, your German's favourite is the poplar. Other disorderly nations may sing the charms of the rugged oak, the spreading chestnut, or the waving elm. To the German all such, with their wilful, untidy ways, are eyesores. The poplar grows where it is planted, and how it is planted. It has no improper rugged ideas of its own. It does not want to wave or to spread itself. It just grows straight and upright as a German tree should grow; and so gradually the German is rooting out all other trees, and replacing them with poplars.
Your German likes the country, but he prefers it as the lady thought she would the noble savage-more dressed. He likes his walk through the wood-to a restaurant. But the pathway must not be too steep, it must have a brick gutter running down one side of it to drain it, and every twenty yards or so it must have its seat on which he can rest and mop his brow; for your German would no more think of sitting on the grass than would an English bishop dream of rolling down One Tree Hill. He likes his view from the summit of the hill, but he likes to find there a stone tablet telling him what to look at, find a table and bench at which he can sit to partake of the frugal beer and "belegte Semmel" he has been careful to bring with him. If, in addition, he can find a police notice posted on a tree, forbidding him to do something or other, that gives him an extra sense of comfort and security.
Your German is not averse even to wild scenery, provided it be not too wild. But if he consider it too savage, he sets to work to tame it. I remember, in the neighbourhood of Dresden, discovering a picturesque and narrow valley leading down towards the Elbe. The winding roadway ran beside a mountain torrent, which for a mile or so fretted and foamed over rocks and boulders between wood-covered banks. I followed it enchanted until, turning a corner, I suddenly came across a gang of eighty or a hundred workmen. They were busy tidying up that valley, and making that stream respectable. All the stones that were impeding the course of the water they were carefully picking out and carting away. The bank on either side they were bricking up and cementing. The overhanging trees and bushes, the tangled vines and creepers they were rooting up and trimming down. A little further I came upon the finished work-the mountain valley as it ought to be, according to German ideas. The water, now a broad, sluggish stream, flowed over a level, gravelly bed, between two walls crowned with stone coping. At every hundred yards it gently descended down three shallow wooden platforms. For a space on either side the ground had been cleared, and at regular intervals young poplars planted. Each sapling was protected by a shield of wickerwork and bossed by an iron rod. In the course of a couple of years it is the hope of the local council to have "finished" that valley throughout its entire length, and made it fit for a tidy-minded lover of German nature to walk in. There will be a seat every fifty yards, a police notice every hundred, and a restaurant every half-mile.
They are doing the same from the Memel to the Rhine. They are just tidying up the country. I remember well the Wehrthal. It was once the most romantic ravine to be found in the Black Forest. The last time I walked down it some hundreds of Italian workmen were encamped there hard at work, training the wild little Wehr the way it should go, bricking the banks for it here, blasting the rocks for it there, making cement steps for it down which it can travel soberly and without fuss.
For in Germany there is no nonsense talked about untrammelled nature. In Germany nature has got to behave herself, and not set a bad example to the children. A German poet, noticing waters coming down as Southey describes, somewhat inexactly, the waters coming down at Lodore, would be too shocked to stop and write alliterative verse about them. He would hurry away, and at once report them to the police. Then their foaming and their shrieking would be of short duration.
"Now then, now then, what's all this about?" the voice of German authority would say severely to the waters. "We can't have this sort of thing, you know. Come down quietly, can't you? Where do you think you are?"
And the local German council would provide those waters with zinc pipes and wooden troughs, and a corkscrew staircase, and show them how to come down sensibly, in the German manner.
It is a tidy land is Germany.
We reached Dresden on the Wednesday evening, and stayed there over the Sunday.
Taking one consideration with another, Dresden, perhaps, is the most attractive town in Germany; but it is a place to be lived in for a while rather than visited. Its museums and galleries, its palaces and gardens, its beautiful and historically rich environment, provide pleasure for a winter, but bewilder for a week. It has not the gaiety of Paris or Vienna, which quickly palls; its charms are more solidly German, and more lasting. It is the Mecca of the musician. For five shillings, in Dresden, you can purchase a stall at the opera house, together, unfortunately, with a strong disinclination ever again to take the trouble of sitting out a performance in any English, French, or, American opera house.
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