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Tell No One - Coben Harlan - Страница 9


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He'd leave right away. Take this money and head out to Arizona. He had a friend out there, Sammy Viola. He and Sammy were going to start their own business, maybe open a restaurant or nightclub. Vic was tired of New Jersey.

It was time to move on. Start fresh.

Vic headed up the stairs toward his apartment. For the record, Vic had never carried out his threats. He never sent out any letters to anyone. If a mark didn't pay, that was the end of it. Harming them after the fact wouldn't do any good. Vic was a scam artist. He got by on his brains. He used threats, sure, but he'd never carry through with them. It would only make someone mad, and hell, it would probably expose him too.

He'd never really hurt anyone. What would be the point?

He reached the landing and stopped in front of his door. Pitch dark now. The damn lightbulb by his door was out again. He sighed and heaved up his big key chain. He squinted in the dark, trying to find the right key. He did it mostly through feel. He fumbled against the knob until the key found the lock. He pushed open the door and stepped inside and something felt wrong.

Something crinkled under his feet.

Vic frowned. Plastic, he thought to himself. He was stepping on plastic. As though a painter had laid it down to protect the floor or something. He flicked on the light switch, and that was when he saw the man with the gun.

"Hi, Vic."

Vic gasped and took a step back. The man in front of him looked to be in his forties. He was big and fat with a belly that battled against the buttons of his dress shirt and, in at least one place, won. His tie was loosened and he had the worst comb-over imaginable – eight braided strands pulled ear to ear and greased against the dome. The man's features were soft, his chin sinking into folds of flab. He had his feet up on the trunk Vic used as a coffee table. Replace the gun with a TV remote and the man would be a weary dad just home from work.

The other man, the one who blocked the door, was the polar opposite of the big guy – in his twenties, Asian, squat, granite muscular and cube-shaped with bleached-blond hair, a nose ring or two, and a yellow Walkman in his ears. The only place you might think to see the two of them together would be on a subway, the big man frowning behind his carefully folded newspaper, the Asian kid eyeing you as his head lightly bounced to the too-loud music on his headset.

Vic tried to think. Find out what they want. Reason with them. You're a scam artist, he reminded himself. You're smart. You'll find a way out of this. Vic straightened himself up.

"What do you want?" Vic asked.

The big man with the comb-over pulled the trigger.

Vic heard a pop and then his right knee exploded. His eyes went wide. He screamed and crumbled to the ground, holding his knee. Blood poured between his fingers.

"It's a twenty-two," the big man said, motioning toward the gun. "A small-caliber weapon. What I like about it, as you'll see, is that I can shoot you a lot and not kill you."

With his feet still up, the big man fired again. This time, Vic's shoulder took the hit. Vic could actually feel the bone shatter. His arm flopped away like a barn door with a busted hinge. Vic fell flat on his back and started breathing too fast. A terrible cocktail of fear and pain engulfed him. His eyes stayed wide and unblinking, and through the haze, he realized something.

The plastic on the ground.

He was lying on it. More than that, he was bleeding on it. That was what it was there for. The men had put it down for easy cleanup.

"Do you want to start telling me what I want to hear," the big man said, "or should I shoot again?"

Vic started talking. He told them everything. He told them where the rest of the money was. He told them where the evidence was. The big man asked him if he had any accomplices. He said no. The big man shot Vic's other knee. He asked him again if he had accomplices. Vic still said no. The big man shot him in the right ankle.

An hour later, Vic begged the big man to shoot him in the head.

Two hours after that, the big man obliged.

Chapter 5

I stared unblinking at the computer screen.

I couldn't move. My senses were past overload. Every part of me was numb.

It couldn't be. I knew that. Elizabeth hadn't fallen off a yacht and assumed drowned, her body never found. She hadn't been burned beyond recognition or any of that. Her corpse had been found in a ditch off Route 80. Battered, perhaps, but she had been positively IDed.

Not by you

Maybe not, but by two close family members: her father and her uncle. In fact, Hoyt Parker, my father-in-law, was the one who told me that Elizabeth was dead. He came to my hospital room with his brother Ken not long after I regained consciousness. Hoyt and Ken were large and grizzled and stone-faced, one a New York City cop, the other a federal agent, both war veterans with beefy flesh and large, undefined muscles. They took off their hats and tried to tell me with the semi distant empathy of professionals, but I didn't buy it and they weren't selling too hard.

So what had I just seen?

On the monitor, flows of pedestrians still spurted by. I stared some more, willing her to come back. No dice. Where was this anyway? A bustling city, that was all I could tell. It could be New York for all I knew.

So look for clues, idiot.

I tried to concentrate. Clothes. Okay, let's check out the clothes. Most people were wearing coats or jackets. Conclusion: We were probably somewhere up north or, at least, someplace not particularly warm today. Great. I could rule out Miami.

What else? I stared at the people. The hairstyles? That wouldn't help, I could see the corner of a brick building. I looked for identifiable characteristics, something to separate the building from the norm. Nothing. I searched the screen for something, anything, out of the ordinary.

Shopping bags.

A few people were carrying shopping bags. I tried to read them, but everyone was moving too fast. I willed them to slow down. They didn't. I kept looking, keeping my gaze at knee level. The camera angle wasn't helping here. I put my face so close to the screen, I could feel the heat.

Capital R.

That was the first letter on one bag. The rest was too squiggly to make out. It looked written in some fancy script. Okay, what else? What other clues could I-?

The camera feed went white.

Damn. I hit the reload button. The error screen returned. I went back to the original email and clicked the hyperlink Another error.

My feed was gone.

I looked at the blank screen, and the truth struck me anew: I'd just seen Elizabeth.

I could try to rationalize it away. But this wasn't a dream. I'd had dreams where Elizabeth was alive. Too many of them. In most, I'd just accept her return from the grave, too thankful to question or doubt. I remember one dream in particular where we were together – I don't remember what we were doing or even where we were – and right then, in mid-laugh, I realized with breath-crushing certainty that I was dreaming, that very soon I'd wake up alone. I remember the dream – me reaching out at that moment and grabbing hold of her, pulling her in close, trying desperately to drag Elizabeth back with me.

I knew dreams. What I had seen on the computer wasn't one.

It wasn't a ghost either. Not that I believe in them, but when in doubt, you might as well keep an open mind. But ghosts don't age. The Elizabeth on the computer had. Not a lot, but it had been eight years. Ghosts don't cut their hair either. I thought of that long braid hanging down her back in the moonlight. I thought about the fashionably short cut I'd just seen. And I thought about those eyes, those eyes that I had looked into since I was seven years old.

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Coben Harlan - Tell No One Tell No One
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