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Chapter 16

The world was beginning to flower into wounds. From the window of my office at the film studios I watched Vaughan seated in his car in the centre of the parking lot. Most of the staff were leaving for home, taking their cars one by one from the files around Vaughan's dusty limousine. He had driven into the studios an hour earlier. After Renata pointed him out to me I managed successfully to ignore him, but the steady subtraction of the other vehicles from the parking lot soon focused all my attention on this isolated car at the centre. In the three days since our visit to the Road Research Laboratory he had come to the studios each afternoon – ostensibly to see Seagrave, but his real motive was to force me to arrange his formal introduction to the film actress. At an uncertain moment the previous afternoon, after meeting him at a filling station on Western Avenue, I had agreed to help him, well aware that I was no longer able to throw Vaughan off. Without any effort now, he was able to follow me all day, for ever waiting for me at the airport entrances, in the forecourts of filling stations, almost as if I were unconsciously steering myself into his path.

His presence had affected my driving, and I guessed that I was really waiting to be involved in a second accident, this time under Vaughan's eyes. Even the giant aircraft taking off from the airport were systems of excitement and eroticism, punishment and desire waiting to be inflicted on my body. The massive traffic jams on the motorways seemed to suffocate the air, and I nearly believed that Vaughan himself had conjured these vehicles on to the exhausted concrete as part of some elaborate psychological test.

When Renata had gone Vaughan stepped from his car. I watched him walk across the parking lot to the entrance of the offices, wondering why he had chosen me – already I could see myself driving a target vehicle on a collision course with either Vaughan or some victim of his choice.

Vaughan walked through the outer offices, glancing to left and right at the enlarged sales photographs of automobile radiator grilles and windshield assemblies. He was wearing the same stale jeans he had unrolled around his hard buttocks during his sex-act as I drove the car. His lower lip had developed a small ulcer which he had opened by chewing on it. I stared with a peculiar fascination at this miniature orifice, aware of his extending sexual authority over me, an authority partly won by the accident memorialized in the scarred contours of his face and chest.

'Vaughan, I'm exhausted. It's been an effort to move in and out of this office, let alone chase up a producer I barely know. Anyway, the chance of her actually completing one of your questionnaires is nil.'

'Let me give it to her.'

'I know, you'll probably charm her…'

Vaughan was standing with his back to me, broken eye-tooth gnawing away at the ulcer. My hands, apparently detached from the rest of my body and brain, hesitated in the air, wondering how to embrace his waist. Vaughan turned towards me, a reassuring smile on his scarred mouth, posed at its best diagonal profile as if I were auditioning him for his new television series. He spoke in an oblique and distracted voice, as if he had been clouded by the hash he was smoking. 'Ballard, she's central to the fantasies of all the subjects I've tested. There's a limited amount of time, though you're too obsessed with yourself to realize it. I need her responses.'

'Vaughan, the likelihood of her being killed in a car-crash is remote. You'll have to follow her around until doomsday.'

Standing behind Vaughan, I stared down at the cleft between his buttocks, wishing that these display photographs of car fenders and windshield sections could form themselves into a complete automobile, in which I could take his body in my hands, like that of some vagrant dog, and anneal its wounds within this arcade of possibilities. I visualized these sections of radiator grilles and instrument panels coalescing around Vaughan and myself, embracing us as I pulled the belt from its buckle and eased down his jeans, celebrating in the penetration of his rectum the most beautiful contours of a rear-fender assembly, a marriage of my penis with all the possibilities of a benevolent technology.

'Vaughan… '

He was looking down at a display photograph of the actress leaning against a motor-car. He had taken a pencil from my inkwell, and was shading in portions of the actress's body, ringing her armpits and cleavage. He stared almost sightlessly at the photographs, cigarette forgotten on the edge of an ashtray. A dank odour rose from his body, an amalgam of rectal mucus and engine coolant. His pencil cut heavier grooves in the picture. The shaded areas had begun to perforate under his more and more savage slashes, blows with the broken pencil point that punctured the cardboard backing. He marked in points of the motor-car interior, stabbing at the protruding areas of steering assembly and instrument panel.

'Vaughan!' I put my arm around his shoulder. His body was shaking towards an orgasm, the edge of his left hand against his groin in a karate-like hold, as if he were trying to injure himself, working away through the cloth at his erect penis as his right hand moved across the disfigured photographs.

With an effort, Vaughan straightened himself, leaning against my arm. He stared at the mutilated pictures of the screen actress, surrounded by the impact points and wound areas he had marked for her death.

Uneasily, I lowered my arm from Vaughan's shoulder. His hard stomach was marked by a fretwork of scars. On his right hip the scars formed a mould waiting for my fingers, the templates of a caress imprinted years earlier in some forgotten automobile pile-up.

Controlling the phlegm in my throat, I pointed to the scars, five notches that described a loose circle above his iliac crest. Vaughan watched me without comment as my fingers reached to within a few inches of his skin. A gallery of scars marked his thorax and abdomen. His right nipple had been severed and re-sectioned incorrectly, and was permanently erect.

We walked through the evening light towards the carpark. Along the northbound motorway embankment the sluggish traffic moved like blood in a dying artery. Two cars were parked in front of Vaughan's Lincoln in the empty parking lot: a police patrol car and Catherine's white sports saloon. One policeman was inspecting the Lincoln, peering through the dusty windows. The other stood beside Catherine's car, questioning her.

The policemen recognized Vaughan and signalled to him. Thinking that they had come to question me about my growing homo-erotic involvement with Vaughan, I turned away guiltily.

Catherine walked over to me as the policemen spoke to Vaughan.

'They want to question Vaughan about an accident near the airport. Some pedestrian – they think he was run over intentionally.'

'Vaughan isn't interested in pedestrians.'

As if taking their cue from this, the policemen walked back to their car. Vaughan watched them go, head raised like a periscope as if scanning something over the surface of their minds.

'You'd better drive him,' Catherine said as we walked towards Vaughan. 'I'll follow in my car. Where is yours?'

'At home. I couldn't face all this traffic.'

'I'd better come with you.' Catherine peered into my face, as if squinting through the window of a diving helmet. 'Are you sure you can drive?'

Waiting for me, Vaughan reached into the rear seat of his car for a white sweat-shirt. As he took off his denim jacket the falling light picked out the scars on his abdomen and chest, a constellation of white chips that circled his body from the left armpit down to his crotch. The handholds of complex sex acts had been created by the cars in which he had deliberately crashed for my future pleasure, of strange postures in the back and front seats of cars, peculiar acts of sodomy and fellatio I would perform as I moved across his body from one hand-hold to the next.

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Ballard James Graham - Crash Crash
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