All That Remains - Cornwell Patricia - Страница 71

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"I called the Williamsburg police. I told them - "

"I know you did." He cut me off gently. "You did the right thing. You did all you could."

"They couldn't be bothered."

I closed my eyes, fighting the tears.

"That wasn't it."

He paused. "Listen to me, Doc."

I took a deep breath.

Marino cleared his throat and lit a cigarette. "While I was back there in your office, I talked to Benton. The FBI completed the DNA analysis of Spurrier's blood and compared it with the blood found in Elizabeth Mott's car. The DNA don't match."

"What?" The DNA don't match," he said again. "The detectives in Williamsburg who had been tailing Spurrier were just told yesterday. Benton had been trying to get hold of me and we kept missing each other, so I didn't know. You understand what I'm saying?"

I stared numbly at him.

"Legally, Spurrier was no longer a suspect. A pervert, yeah. We're talking the land of fruits and nuts. But he didn't murder Elizabeth and Jill. He didn't leave the blood in the car, couldn't have. If he killed these other couples, we've got no proof. To keep tailing him all the hell over the place, watching his house or banging on his door because they see he's got company, was harassment. Well, I mean there comes a point when there aren't enough cops to keep that up, and Spurrier could sue. And the FBI had backed off. So that's the way it went."

"He killed Abby."

Marino looked away from me. "Yeah, it appears so.

She had her tape recorder running, we got the whole thing on tape. But that don't prove he killed the couples, Doc. It's looking like Mrs. Harvey gunned down an innocent man."

"I want to hear the tape."

"You don't want to hear it. Take my word for it."

"If Spurrier was innocent, then why did he shoot Abby?"

"I got an idea, based on what I heard on the tape and saw at the scene," he said. "Abby and Spurrier was talking in the living room. Abby was sitting on the couch where we found her. Spurrier heard someone at the door and got up to answer it. I don't know why he let Pat Harvey in. You would think he would have recognized her, but maybe he didn't. She had on a windbreaker with a hood, and jeans. Might have been hard to tell who she was. No way to know how she identified herself, what she said to him. We won't know until we can talk to her, and even then we might not know."

"But he let her in."

"He opened the door," Marino said. "Then she had her revolver out, a Charter Arms, the one she later shot herself with. Mrs. Harvey forced him back inside the house, into the living room. Abby's still sitting there, and the tape recorder's still running. Since Abby's Saab was out back in the drive, Mrs. Harvey wouldn't have seen it when she parked in front. She had no idea Abby was there, and this diverted her attention long enough for Spurrier to go for Abby, probably to use her as a shield. Hard to know exactly what went down, but we know Abby had her revolver with her, probably in her purse, which was probably next to her on the couch. She tries to get out her gun, she and Spurrier struggle and she gets shot. Then, before he can shoot Mrs. Harvey, she shoots him. Twice. We checked her revolver. Three spent shells, two live."

"She said something about looking for a phone," I said dully.

"Spurrier's only got two phones. One in his bedroom upstairs, the other in the kitchen, same color as the wall and between two cabinets, hard as shit to see. I almost didn't find it either. It looks like we rolled up to the house maybe minutes after the shootings, Doc. I think Mrs. Harvey set her gun on the coffee table when she went over to Abby, saw how bad it was and tried to find a phone to call for help. Mrs. Harvey must have been in another room when I walked in, maybe heard me and ducked out of sight. All I know is when I went in, I scanned the immediate area. All I saw was the bodies in the living room, checked their carotids and thought Abby had a faint pulse, but I wasn't sure. I had a choice, had to make a split-second decision. I could start searching Spurrier's crib for Mrs. Harvey, or get you and then look. I mean, I didn't see her when I first came in. I thought she might have gone out the back door or upstairs," he said, obviously distressed he'd put me in jeopardy.

"I want to hear the tape," I said again.

Marino rubbed his face in his hands, his eyes bleary and bloodshot when he looked back at me. "Don't put yourself through it."

"I have to."

Reluctantly, he got up from the table and left. When he returned, he opened a plastic evidence bag that contained a microcassette recorder. He set it upright on the table, briefly rewound a portion of the tape, and depressed the Play button.

The sound of Abby's voice filled the kitchen.

"… I'm just trying to see your side of it, but that doesn't really explain why you drive around at night, stop and ask people things that you don't really need to know. Such as directions."

"Look, I already told you about the coke. You ever snorted coke?"

"No."

"Try it some time. You do a lot of off-the-wall things when you're high. You get confused and think you know where you're going. Then suddenly you're lost and have to ask directions."

"You said you're not doing coke anymore."

"Not anymore. No way. My big mistake. Never again."

"What about the items the police found in your house…? Uh…"

There was the faint chime of a doorbell.

"Yeah. Hold on."

Spurrier sounded tense.

Footsteps receded. Voices were indistinguishable in the background. I could hear Abby shifting on the couch. Then Spurrier's disbelieving voice: "Wait. You don't know what you're - " "I know exactly what I'm doing, you bastard."

It was Pat Harvey's voice, increasing in volume. "That was my daughter you took out into the woods."

"I don't know what you're - "

"Pat. Don't!"

A pause.

"Abby? Oh my God."

"Pat. Don't do it, Pat."

Abby's voice was tight with fear. She gasped as something hit the couch.

"Get away from me!" A commotion, rapid breathing, and Abby screaming, "Stop! Stop!" then what sounded like a cap gun going off.

Again and again.

Silence.

Footsteps clicked across the floor and got louder. They stopped.

"Abby?"

A pause.

"Please don't die. Abby…"

Pat Harvey's voice was quavering so badly I could barely hear it.

Marino reached for the recorder, turned if off, and slipped it back inside the plastic bag as I stared at him in shock.

On the Saturday morning of Abby's graveside service, I waited until the crowd had thinned, then walked along a footpath. beneath the shade of magnolias and oaks, dogwoods blazing fuchsia and white in the gentle spring sun.

The turnout for Abby's funeral had been small. I met several of her former Richmond colleagues and tried to comfort her parents.

Marino came. So did Mark, who hugged me tight, then left with the promise he would come by my house later in the day. I needed to talk with Benton Wesley, but first I wanted a few moments alone.

Hollywood Cemetery was Richmond's most formidable city for the dead, some forty acres of rolling hills, streams, and stands of hardwood trees north of the James River. Curving streets were paved and named, with speed limits posted, the sloping grass crowded with granite obelisks, headstones, and angels of grief, many of them more than a century old. Buried here were Presidents James Monroe and John Tyler, and Jefferson Davis, and tobacco magnate Lewis Ginter. There was a soldiers' section for the Gettysburg dead, and a family plot of low-lying lawn where Abby had been buried beside her sister, Henna.

I drew upon a break in the trees, the river below glimmering like tarnished copper, muddy from recent rains. It did not seem possible that Abby was now part of this population, a granite marker weathering passing time. I wondered if she had ever gone back to her former house, to Henna's room upstairs as she had told me she intended to do when she could find the courage.

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