Bleak House - Dickens Charles - Страница 27

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Watt looks at Rosa. Rosa in the deepening gloom looks down upon the ground, half frightened and half shy.

"There and then she died. And from those days," says Mrs.

Rouncewell, "the name has come down-the Ghost's Walk. If the tread is an echo, it is an echo that is only heard after dark, and is often unheard for a long while together. But it comes back from time to time; and so sure as there is sickness or death in the family, it will be heard then."

"And disgrace, grandmother-" says Watt.

"Disgrace never comes to Chesney Wold," returns the housekeeper.

Her grandson apologizes with "True. True."

"That is the story. Whatever the sound is, it is a worrying sound," says Mrs. Rouncewell, getting up from her chair; "and what is to be noticed in it is that it MUST BE HEARD. My Lady, who is afraid of nothing, admits that when it is there, it must be heard.

You cannot shut it out. Watt, there is a tall French clock behind you (placed there, 'a purpose) that has a loud beat when it is in motion and can play music. You understand how those things are managed?"

"Pretty well, grandmother, I think."

"Set it a-going."

Watt sets it a-going-music and all.

"Now, come hither," says the housekeeper. "Hither, child, towards my Lady's pillow. I am not sure that it is dark enough yet, but listen! Can you hear the sound upon the terrace, through the music, and the beat, and everything?"

"I certainly can!"

"So my Lady says."

It was interesting when I dressed before daylight to peep out of window, where my candles were reflected in the black panes like two beacons, and finding all beyond still enshrouded in the indistinctness of last night, to watch how it turned out when the day came on. As the prospect gradually revealed itself and disclosed the scene over which the wind had wandered in the dark, like my memory over my life, I had a pleasure in discovering the unknown objects that had been around me in my sleep. At first they were faintly discernible in the mist, and above them the later stars still glimmered. That pale interval over, the picture began to enlarge and fill up so fast that at every new peep I could have found enough to look at for an hour. Imperceptibly my candles became the only incongruous part of the morning, the dark places in my room all melted away, and the day shone bright upon a cheerful landscape, prominent in which the old Abbey Church, with its massive tower, threw a softer train of shadow on the view than seemed compatible with its rugged character. But so from rough outsides (I hope I have learnt), serene and gentle influences often proceed.

Every part of the house was in such order, and every one was so attentive to me, that I had no trouble with my two bunches of keys, though what with trying to remember the contents of each little store-room drawer and cupboard; and what with making notes on a slate about jams, and pickles, and preserves, and bottles, and glass, and china, and a great many other things; and what with being generally a methodical, old-maidish sort of foolish little person, I was so busy that I could not believe it was breakfasttime when I heard the bell ring. Away I ran, however, and made tea, as I had already been installed into the responsibility of the tea-pot; and then, as they were all rather late and nobody was down yet, I thought I would take a peep at the garden and get some knowledge of that too. I found it quite a delightful place-in front, the pretty avenue and drive by which we had approached (and where, by the by, we had cut up the gravel so terribly with our wheels that I asked the gardener to roll it); at the back, the flower-garden, with my darling at her window up there, throwing it open to smile out at me, as if she would have kissed me from that distance. Beyond the flower-garden was a kitchen-garden, and then a paddock, and then a snug little rick-yard, and then a dear little farm-yard. As to the house itself, with its three peaks in the roof; its various-shaped windows, some so large, some so small, and all so pretty; its trellis-work, against the southfront for roses and honey-suckle, and its homely, comfortable, welcoming look-it was, as Ada said when she came out to meet me with her arm through that of its master, worthy of her cousin John, a bold thing to say, though he only pinched her dear cheek for it.

Mr. Skimpole was as agreeable at breakfast as he had been overnight. There was honey on the table, and it led him into a discourse about bees. He had no objection to honey, he said (and I should think he had not, for he seemed to like it), but he protested against the overweening assumptions of bees. He didn't at all see why the busy bee should be proposed as a model to him; he supposed the bee liked to make honey, or he wouldn't do it-nobody asked him. It was not necessary for the bee to make such a merit of his tastes. If every confectioner went buzzing about the world banging against everything that came in his way and egotistically calling upon everybody to take notice that he was going to his work and must not be interrupted, the world would be quite an unsupportable place. Then, after all, it was a ridiculous position to be smoked out of your fortune with brimstone as soon as you had made it. You would have a very mean opinion of a Manchester man if he spun cotton for no other purpose. He must say he thought a drone the embodiment of a pleasanter and wiser idea.

The drone said unaffectedly, "You will excuse me; I really cannot attend to the shop! I find myself in a world in which there is so much to see and so short a time to see it in that I must take the liberty of looking about me and begging to be provided for by somebody who doesn't want to look about him." This appeared to Mr.

Skimpole to be the drone philosophy, and he thought it a very good philosophy, always supposing the drone to be willing to be on good terms with the bee, which, so far as he knew, the easy fellow always was, if the consequential creature would only let him, and not be so conceited about his honey!

He pursued this fancy with the lightest foot over a variety of ground and made us all merry, though again he seemed to have as serious a meaning in what he said as he was capable of having. I left them still listening to him when I withdrew to attend to my new duties. They had occupied me for some time, and I was passing through the passages on my return with my basket of keys on my arm when Mr. Jarndyce called me into a small room next his bed-chamber, which I found to be in part a little library of books and papers and in part quite a little museum of his boots and shoes and hatboxes.

"Sit down, my dear," said Mr. Jarndyce. "This, you must know, is the growlery. When I am out of humour, I come and growl here."

"You must be here very seldom, sir," said I.

"Oh, you don't know me!" he returned. "When I am deceived or disappointed in-the wind, and it's easterly, I take refuge here.

The growlery is the best-used room in the house. You are not aware of half my humours yet. My dear, how you are trembling!"

I could not help it; I tried very hard, but being alone with that benevolent presence, and meeting his kind eyes, and feeling so happy and so honoured there, and my heart so full-I kissed his hand. I don't know what I said, or even that I spoke.

He was disconcerted and walked to the window; I almost believed with an intention of jumping out, until he turned and I was reassured by seeing in his eyes what he had gone there to hide. He gently patted me on the head, and I sat down.

"There! There!" he said. "That's over. Pooh! Don't be foolish."

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