Выбери любимый жанр

Rinkitink in Oz - Baum Lyman Frank - Страница 20


Изменить размер шрифта:

20

Thus everything favored the girl's journey and she made such good speed that by noon she emerged from the forest's edge and found she was quite near to the bridge of boats that led to Coregos. This she crossed safely and without meeting any of the rude warriors she so greatly feared, and five minutes later the daughter of the charcoal-burner was seeking admittance at the back door of Queen Cor's palace.

Chapter Twelve

The Excitement of Bilbil the Goat

Our story must now return to one of our characters whom we have been forced to neglect. The temper of Bilbil the goat was not sweet under any circumstances, and whenever he had a grievance he was inclined to be quite grumpy. So, when his master settled down in the palace of King Gos for a quiet life with the boy Prince, and passed his time in playing checkers and eating and otherwise enjoying himself, he had no use whatever for Bilbil, and shut the goat in an upstairs room to prevent his wandering through the city and quarreling with the citizens. But this Bilbil did not like at all. He became very cross and disagreeable at being left alone and he did not speak nicely to the servants who came to bring him food; therefore those people decided not to wait upon him any more, resenting his conversation and not liking to be scolded by a lean, scraggly goat, even though it belonged to a conqueror. The servants kept away from the room and Bilbil grew more hungry and more angry every hour. He tried to eat the rugs and ornaments, but found them not at all nourishing. There was no grass to be had unless he escaped from the palace.

When Queen Cor came to capture Inga and Rinkitink, both the prisoners were so filled with despair at their own misfortune that they gave no thought whatever to the goat, who was left in his room. Nor did Bilbil know anything of the changed fortunes of his comrades until he heard shouts and boisterous laughter in the courtyard below. Looking out of a window, with the intention of rebuking those who dared thus to disturb him, Bilbil saw the courtyard quite filled with warriors and knew from this that the palace had in some way again fallen into the hands of the enemy.

Now, although Bilbil was often exceedingly disagreeable to King Rinkitink, as well as to the Prince, and sometimes used harsh words in addressing them, he was intelligent enough to know them to be his friends, and to know that King Gos and his people were his foes. In sudden anger, provoked by the sight of the warriors and the knowledge that he was in the power of the dangerous men of Regos, Bilbil butted his head against the door of his room and burst it open. Then he ran to the head of the staircase and saw King Gos coming up the stairs followed by a long line of his chief captains and warriors.

The goat lowered his head, trembling with rage and excitement, and just as the King reached the top stair the animal dashed forward and butted His Majesty so fiercely that the big and powerful King, who did not expect an attack, doubled up and tumbled backward. His great weight knocked over the man just behind him and he in turn struck the next warrior and upset him, so that in an instant the whole line of Bilbil's foes was tumbling heels over head to the bottom of the stairs, where they piled up in a heap, struggling and shouting and in the mixup hitting one another with their fists, until every man of them was bruised and sore.

Finally King Gos scrambled out of the heap and rushed up the stairs again, very angry indeed. Bilbil was ready for him and a second time butted the King down the stairs; but now the goat also lost his balance and followed the King, landing full upon the confused heap of soldiers. Then he kicked out so viciously with his heels that he soon freed himself and dashed out of the doorway of the palace.

"Stop him!" cried King Gos, running after.

But the goat was now so wild and excited that it was not safe for anyone to stand in his way. None of the men were armed and when one or two tried to head off the goat, Bilbil sent them sprawling upon the ground. Most of the warriors, however, were wise enough not to attempt to interfere with his flight.

Coursing down the street, Bilbil found himself approaching the bridge of boats and without pausing to think where it might lead him he crossed over and proceeded on his way. A few moments later a great stone building blocked his path. It was the palace of Queen Cor, and seeing the gates of the courtyard standing wide open, Bilbil rushed through them without slackening his speed.

Chapter Thirteen

Zella Saves the Prince

The wicked Queen of Coregos was in a very bad humor this morning, for one of her slave drivers had come from the fields to say that a number of slaves had rebelled and would not work.

"Bring them here to me!" she cried savagely. "A good whipping may make them change their minds."

So the slave driver went to fetch the rebellious ones and Queen Cor sat down to eat her breakfast, an ugly look on her face.

Prince Inga had been ordered to stand behind his new mistress with a big fan of peacock's feathers, but he was so unused to such service that he awkwardly brushed her ear with the fan. At once she flew into a terrible rage and slapped the Prince twice with her hand-blows that tingled, too, for her hand was big and hard and she was not inclined to be gentle. Inga took the blows without shrinking or uttering a cry, although they stung his pride far more than his body. But King Rinkitink, who was acting as the queen's butler and had just brought in her coffee, was so startled at seeing the young Prince punished that he tipped over the urn and the hot coffee streamed across the lap of the Queen's best morning gown.

Cor sprang from her seat with a scream of anger and poor Rinkitink would doubtless have been given a terrible beating had not the slave driver returned at this moment and attracted the woman's attention. The overseer had brought with him all of the women slaves from Pingaree, who had been loaded down with chains and were so weak and ill they could scarcely walk, much less work in the fields.

Prince Inga's eyes were dimmed with sorrowful tears when he discovered how his poor people had been abused, but his own plight was so helpless that he was unable to aid them. Fortunately the boy's mother, Queen Garee, was not among these slaves, for Queen Cor had placed her in the royal dairy to make butter.

"Why do you refuse to work?" demanded Cor in a harsh voice, as the slaves from Pingaree stood before her, trembling and with downcast eyes.

"Because we lack strength to perform the tasks your overseers demand," answered one of the women.

"Then you shall be whipped until your strength returns!" exclaimed the Queen, and turning to Inga, she commanded: "Get me the whip with the seven lashes."

As the boy left the room, wondering how he might manage to save the unhappy women from their undeserved punishment, he met a girl entering by the back way, who asked:

"Can you tell me where to find Her Majesty, Queen Cor?"

"She is in the chamber with the red dome, where green dragons are painted upon the walls," replied Inga; "but she is in an angry and ungracious mood to-day. Why do you wish to see her?"

"I have honey to sell," answered the girl, who was Zella, just come from the forest. "The Queen is very fond of my honey."

"You may go to her, if you so desire," said the boy, "but take care not to anger the cruel Queen, or she may do you a mischief."

"Why should she harm me, who brings her the honey she so dearly loves?" inquired the child innocently. "But I thank you for your warning; and I will try not to anger the Queen."

20
Перейти на страницу:

Вы читаете книгу


Baum Lyman Frank - Rinkitink in Oz Rinkitink in Oz
Мир литературы

Жанры

Фантастика и фэнтези

Детективы и триллеры

Проза

Любовные романы

Приключения

Детские

Поэзия и драматургия

Старинная литература

Научно-образовательная

Компьютеры и интернет

Справочная литература

Документальная литература

Религия и духовность

Юмор

Дом и семья

Деловая литература

Жанр не определен

Техника

Прочее

Драматургия

Фольклор

Военное дело