Выбери любимый жанр

Thicker Than Blood - Crouch Blake - Страница 92


Изменить размер шрифта:

92

He crept along the perimeter of the live oak thicket until he faced the side of the house. The yard was a field of waist-high weeds. He dropped to the ground, crawled through them, the icy fingers grazing his cheeks.

The moon lifted out of the live oaks, lit the sound.

Horace scrambled to the corner of the great stone house. Rising, he palmed the granite, fuzzy with frosted fungi. Two steps and he peered through a tall and narrow window. The room was dark, empty. Bare bookshelves abounded. Embers glowed in a distant corner.

Horace crept to the other side of the stoop where he knelt finally beneath the only lighted window on the first floor.

He crouched in the sandy soil to rest.

The night aged silently.

He gazed up briefly into the stars, his breath clouding now in the damp southern chill.

When he’d caught his wind, Horace turned and faced the house.

He rose up slowly to the window ledge, stole a glance inside.

He ducked down instantly, back against the stone, replaying what he’d just seen—a living room steeped in firelight, decaying furniture, and a pale-faced man with long black hair sitting directly across from him on a couch, staring through the window into nothing.

Horace heard footsteps. He stood, peered back through the glass in time to see the long-haired man exit the living room into a foyer, where he stopped beneath a staircase. Plucking something off the wall, he reached forward, opened a little door, and stepped through into total darkness.

Two seconds later, it hit Horace between the eyes—he thought of Andrew’s manuscript, Desert Places, and his descriptions of a man with long ebony hair and a pale "baby ass-smooth" face.

Horace smiled but fear tempered the excitement—he’d found Luther Kite.

And it suddenly occurred to him.

What if Andrew had never left this island?

What if Andrew Thomas was dead along with the blond who’d been with him?

Horace sat down in the shadow of the House of Kite. For twenty minutes he watched the moon rise into the sky, mulling over whether he should do the safe thing—leave immediately and contact the police—or the ballsy thing that might make him famous.

By the time Luther reemerged from the door beneath the staircase, Horace had made his decision. From the window he watched Luther trudge upstairs. A moment later, the last light on the second floor went out. Now, aside from the dwindling firelight in the living room hearth, the house stood still and dark.

Horace came to his feet, moved quietly toward the stoop, and climbed four steps up to the door, his legs gone weak and rubbery. Regardless, he reached for the doorknob. It turned but the heavy door would not open. He leaned his weight into it, gave the wood a bump with his shoulder. It didn’t budge.

Horace walked back down into the yard and jogged through the beach grass around the side of the house, the smell of woodsmoke strong at the chimney’s base. There were no windows on the north end—just a wall of granite pushing into the sky.

The moon was high enough to set the backyard alight with its sickly-gleaming radiance. The Pamlico Sound stretched out before him, a black chasm, hugely silent and smooth as volcanic glass.

Horace proceeded toward a stone porch with a jaw-dropping view of the sound, climbed several steps to the back door, and looked through screen and glass into a kitchen.

He pulled on the screen door. It opened. He tried the next door knob and though it wouldn’t turn, the inner door appeared not to have been soundly closed.

He thrust his shoulder against the door.

It jarred open.

Horace stepped into the kitchen and carefully shut the door behind him.

There didn’t appear to be a single light in operation in the entire house.

Nor was there any sound.

The kitchen reeked of raw fish and vinegar.

Horace inched forward. The splitting linoleum creaked.

Three more steps and he reached the intersection of two hallways, one leading to the front door, the other running the whole of the first floor into a room whose only light source emanated from the weak brown glow of those dying embers he’d glimpsed from outside.

Horace crept across a dusty hardwood floor, through the corridor that led past the staircase into the foyer.

Something popped.

Horace flinched.

It was just the fire, feeding off pockets of sap in the logs.

He entered the living room and stood before the hearth, basking his hands in the rising heat. Shadows flickered in delicate motion on the walls and ceiling. Flames hissed softly. Even through the woodsmoke he could smell the age and neglect of this ancient house.

Horace turned and let the fire warm his back, staring through the long room at the staircase. The itch of curiosity dragged him toward the foyer, away from the heat and light and sound.

He found himself standing in the darkness under the stairs, facing a locked door, the top of which came only to his eyes. From his pocket he took the flashlight. Its beam revealed a deadbolt in the door.

I saw Luther take something off this wall.

Horace shined the flashlight around the perimeter of the door. To the right of the doorframe, a shiny key hung from a nail.

He jammed it into the deadbolt.

The door swung inward and a cold dank draft swept up out of the darkness and enveloped him.

He smelled stone and water, mold and earth, as though he stood at the entrance to a cave. Though he’d yet to cut the darkness with his flashlight, there was no question in his mind that this door led to someplace underneath the House of Kite.

And the hair on his arms stood erect and some primal siren sounded in his brain, but mistaking terror for adrenaline, he walked down into the darkness because he’d never felt more alive.

54

HORACE kept the beam of the flashlight trained on the rickety steps. They creaked as though God Himself were standing on them—twenty-two in all—and it grew colder the farther down he went so that his breath was pluming again by the time he reached the bottom, a dusty vapor in the lightbeam.

At last Horace stood on a dirt floor.

He shined the flashlight back up the staircase. The door at the top felt miles away.

The basement lay in pure silence and blackness. Horace imagined sitting at a table in the Ocracoke Coffee Company the following morning, near a window with the early sun streaming in. He would write this scene over coffee. It would be amazing. It would be safe.

Horace swiped the beam in a slow circle to gain his bearings.

What he saw unnerved him—doorways into nothing, stone passageways, shoddy wiring snaking up the walls. He shivered, stepped back from the steps, and shined the flashlight down the widest passageway, one that ran behind the staircase into seemingly infinite darkness.

It occurred to him that a person would have to be mad to enter that tunnel, and for a moment, he strongly considered heading back up the steps, through the kitchen, into the moonlit yard. The comfort of his bed at the Harper Castle B&B seemed more enticing than ever but he steeled himself, gripped the flashlight, and proceeded into the passageway.

He progressed slowly, letting the beam graze every surface.

The corridor appeared to narrow the deeper he went.

Horace passed a doorway, shined a light through it. In the brief illumination, he glimpsed a big oak chair in the throes of construction, dripping with wires and leather restraints.

He lost his breath, leaned against the wall to get it back.

When the sound of his own panting subsided, he listened.

Water dripped somewhere in the distance, beyond the ellipse of light.

He heard something move behind him, spun around with the flashlight.

92
Перейти на страницу:

Вы читаете книгу


Crouch Blake - Thicker Than Blood Thicker Than Blood
Мир литературы

Жанры

Фантастика и фэнтези

Детективы и триллеры

Проза

Любовные романы

Приключения

Детские

Поэзия и драматургия

Старинная литература

Научно-образовательная

Компьютеры и интернет

Справочная литература

Документальная литература

Религия и духовность

Юмор

Дом и семья

Деловая литература

Жанр не определен

Техника

Прочее

Драматургия

Фольклор

Военное дело