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Thicker Than Blood - Crouch Blake - Страница 9


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9

A gust extinguished the candles, leaving us in darkness. Now the last intimation of purple was exposed against the western horizon, but it blackened the moment I saw it. The sky filled with stars — millions more than in the polluted eastern skies. Even on the clearest nights above Lake Norman, the stars appear fuzzy, as if dimmed behind diaphanous chiffon. Here they shone upon the desert like tiny moons, and many streaked across the sky.

"I’m cold," I said, rubbing my arms, now textured with goose-flesh. I could barely see Orson, only his shape visible across the table.

He stood. "If you have to use the outhouse, do it now. In fifteen minutes, I’m locking you in your room."

"Why?"

Orson made no reply. He took the plates and glasses inside, and I sat for a moment after he was gone, searching the sky for meteors. Rubbing my eyes, I came to my feet. I would be relieved to be alone in my room, with nothing to do but read and sleep. The sound of dishes in the sink made me start, and I ran across the warm dirt in bare feet to the outhouse.

7

DAYS passed languidly on the desert. The sun wasted no time setting the land on fire, so after ten o’clock each morning, it became dangerous to venture outside. The heat was dry and stifling, so I remained in the shaded, cooler confines of my room or the rest of the cabin when I wasn’t locked away.

There was no paucity of food. In fact, I’d never eaten better. Orson kept his freezer filled with prime cuts of meat, and he prepared three exquisite meals each day. We ate steak, salmon, veal, even lobster on one occasion, and drank bottles of wine with every supper. I asked him once why he dined like royalty, and he told me, "Because I’m entitled to it, Andy. We both are."

As I finished one book, Orson would have another for me. After Machiavelli, it was Seneca, and then Democratis on the expunction of melancholy. Though I read a book each day, Orson kept constant pressure on me to read faster. What he wanted me to glean from these classic texts, I could not imagine, and he had yet to reveal.

I obsessed about potential modes of escape. Though I had the opportunity, simply walking away was out. I had neither the strength nor the resources to hike out of this desert, without even knowing a direction in which to head. But I surmised Orson’s means of transportation was locked in the shed. So I’d bide my time, construct a plan, and amass the nerve and will to overcome my brother. I would not be impetuous. Only smart decisions and flawless execution would preserve my life.

Keeping a journal calmed me. Several hours after dusk, when I’d finished reading and Orson had locked me in for the night, I would sit in bed and jot down the day’s events. I’d write for an hour, often longer, sometimes disgressing into thoughts of home and the lake. I’d compose elaborate descriptions of my property, summoning the smells and sounds of the lake in summer to this lonely desert. Without question, it became my favorite time of day, and I considered it a temporary oasis. It was all I could think about during the day — what I lived for. And often, by the time I’d put my pen and paper in the drawer and cut out the light, I could hear the lake lapping at the shore, its breeze stirring the trees.

With respect to time, I knew only that it was late May. Since I’d been drugged during my abduction, I couldn’t be sure which day I’d come to consciousness in the desert. Several days might have passed between that stormy night at the motel and my waking in the cabin. So I labeled my journal entries "Day 1," "Day 2," "Day 3," et cetera, beginning with my first day of consciousness. I couldn’t understand what drove Orson to keep the date hidden from me. It seemed like an irrelevant, useless fact in my present situation, yet it bothered me not to know.

As for the location of the cabin, I didn’t have the first clue. It could’ve been anywhere west of the plains. I pencil-sketched views from the front porch and my barred bedroom window, including the mountain range to the north and east and the ridge of red bluffs in the west. I also sketched the local plant life: sagebrush, tumble-weed, greasewood, lupine, and several other desert flowers that I happened upon during early-evening walks.

Some nights after sunset, when just a blush of red lingered in the sky, I’d see herds of antelope and mule deer moving through the desert. Their silhouettes against the horizon pained me, for as they trudged slowly out of sight, I envied their freedom. I recorded these observations in the journal, too, along with sightings of jackrabbits and long-tailed kangaroo mice. Though I never saw one, barn owls screeched constantly through the night and turkey vultures frequented the sky in the heat of day. I hoped that through the observations I recorded, I could one day locate this desert again. But in truth, I had no way of knowing if I would ever be allowed to leave.

I lay awake in bed. Having finished my journal, it was late, and Orson had disabled the generator for the night, so the cabin was silent. Outside in the dark, only the wind disrupted the oblique stillness. I could feel it pushing through cracks between the logs. Always blowing.

A memory had been haunting me for the last hour.

Orson and I are eight years old, playing in the woods near our neighborhood in Winston-Salem, North Carolina, under a bleached August sky. Like many young boys, we’re fascinated with wildlife, and Orson catches a gray lizard scampering across a rotten log.

Thrilled with the find, I tell him to hold the lizard down, and with a devious smile, he does. I extract a magnifying glass from my pocket. The sun is bright, and in no time a blinding dot appears on the lizard’s scaly skin. The sunlight burns through, and Orson and I look at each other and laugh with delight, enthralled as the smoking lizard squirms to escape.

"It’s my turn!" he says finally. "You hold him."

We spend the entire afternoon torturing the creature. When we’re finished, I throw it into the grass, but Orson insists on taking it with him.

"I own it now," he says. "It’s mine."

8

Day 6 (after midnight?)

Took another shower today. The thermometer read 95°F when I scrambled naked across the blistering ground to the well. I loathe that icy water. Feels just a few degrees above freezing, and it takes my breath as it spills over me. I washed as fast as I could, but by the time I’d rinsed all the soap from my body, I was shivering.

At sunset, I wanted to go for a walk on the desert, but Orson locked me in my room. From my bedroom window, I saw a brown Buick heading east on a slim dirt road that runs perfectly straight into the horizon. He’s been gone several hours now. It feels safer here without him.

The Scorcher is probably hitting the bookstores now, and I’m sure Cynthia has about nine ulcers. I don’t blame her. I’m supposed to start a twelve-city book tour any day now. Signings, radio programs, and television appearances will be canceled. This is going to dampen sales; this is breaking contract with my publisher…. But I can’t dwell on these things now. It’s out of my control and only makes me crazy.

I’m still reading like a madman. Poe, Plato, and McCarthy in the last two days. I still don’t understand what Orson wants so desperately for me to see. Hell, I’m not sure he even knows. He spends his days reading, too, and I wonder what he’s searching for in the thousands of pages, if he thinks there’s some character, some story or philosophy he’s yet to uncover that might explain or justify what he sees in the mirror. But I imagine he only finds morsels of comfort, like that cruelty bit from The Prince or the psychopathic Judge Holden in Blood Meridian.

9
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