Выбери любимый жанр

Death Trick - Stevenson Richard - Страница 37


Изменить размер шрифта:

37

"Eighty."

"—whatever. When we're both tottering on the brink, you're going to be reminding me, aren't you? You'll have it put on my goddamn gravestone: 'Donald Strachey—1939-2009— Once Fucked a Drag Queen.' If you're so worried about poor Harold's ass, go comfort her, take care of her. Put her in a convent, spend the night with her, get her a screen test. You

figure it out. You deal with her. Me, I'm sick of thinking about it."

"Don, it's not Harold's ass I'm concerned about, it's her mind you fucked. She's pathetic and vulnerable, and you used her in an extremely hurtful way. It's the worst thing I know of that you've ever done."

I said, "That's not the way it happened. Not exactly."

"What do you mean?"

I thought about it. I said, "I'm not telling you. But it's not exactly the way you think it was. I'll tell you about it— Christmas eve." I didn't know why I said that. He'd remember it, the bastard, and bring it up while we were trimming the tree; he had the memory bank of a Univac 90/60.

He said, "I'm prepared to take your word for it that the thing you did wasn't as cruel as it seemed—or as cruel as you seemed to think it was when you got home last night. It's you as much as Harold that I'm concerned about. I like you less when you don't like yourself."

"Timmy—-I'll deal with this. I'll have to, I know. But you're not making it easier. You're coming on like Cardinal Cooke, and it's your least appealing side."

That got to him. He made a face and said, "Boy, could I use a shower." He went into the bathroom. Soon I heard the water running, and I decided that I could use one, too.

I'd been to the Rat's Nest once, just after it opened in midsummer. The place had been packed that night, with most of the revelers busy positioning themselves for a better view of the spaced-out nude go-go boy—"Raoul, from Providence, R.I."—as if they'd never seen a male body before. Not much had gone on in the back room that night; there'd been an itchy-tittery who's-going-to-go-first atmosphere that Timmy and I had been even more uncomfortable with than news of the goings-on that got started the following weekend.

Now the mood was different. The dancer—"Tex, from Pittsburgh"—was wearing gym shorts and a tank top, and could have been just another local shaking off some tension on the dance floor on a Wednesday night. During Stephanie Mills's "Put Your Body In It," Tex yawned.

There were only about thirty people in the place when we arrived at ten-fifteen; twenty or so in the main room, another ten in the murky back room, standing around in their jeans, or leather, or preppie outfits, like dummies in a gay wax museum. Timmy went off to the men's room, and I ordered two bottles of Bud from the back-room bartender, who was wearing tight white pants and red suspenders. I asked him if he expected any more trouble from the Bergenfield police, and he said no, Nordstrum's lawyer had said they'd probably have a temporary restraining order by the next morning.

I said, "What about tonight?"

He shrugged.

An odd, deep voice from behind me: "Hi there, lonesome stranger. Buy you a drink?" A deft finger between my buttocks. Oh Christ. I turned.

Timmy, working his eyebrows like Groucho. I pulled his face toward mine, then stopped. "Oh, it's you. They've really gotta put some lights in this place. Never know who you might do in here."

He said, "I'm Biff from Butte. Or, is it Beaut from Biff? Or, Butt from Boeuf. Whoever I am, wanna dance?"

We did, to Ashford and Simpson's "Found a Cure" and then Jackie Moore's "This Time, Baby." As a third number was starting, the alliance crowd came in and moved in a kind of raggedy undersea school across the dance floor and into the back room. We joined them.

Two of them had just met with Jim Nordstrum, the Rat's Nest owner, and his lawyer, who had assured one and all that right was on their side.

Timmy said, "Fine, but what about Judge Feeney?"

They said the lawyer had been vague about him.

Lionel the truck driver stumbled in, already in his cups. Lionel was a notorious barrel-chested, middle-aged sex maniac in work pants, leather, and a Hopalong Cassidy hat with a Teamsters button stuck on it who ordinarily hung out at the Terminal Bar in the wee hours but somehow had made his way out Western Avenue to what he must have heard was his more natural habitat. He moved through the dim green light uttering his famous ungrammatical greeting: "Hey, anybody wanna get blowed?"

Timmy said, "Are we supposed to raise our hands, or what?"

He came our way, and there were a few faint-hearted "Hi, Lionels" as people turned away from him. He swayed over and maneuvered himself onto a barstool.

Timmy said, "I think we should arrange a public debate between Lionel and Lewis Lapham. It'd make a terrific fundraiser."

I looked at him. "Who's the cruel one among us now?"

Sheepishly he said, "Yeah. You're right."

I could see his mind working. I said, "Okay, spit it out. Then that's all. What were you thinking?"

He said, "Well then, how about a debate between Lionel and George F. Will?"

"I figured."

A man of around my age in tan pants and a windbreaker got up from the bar and walked past us. He pushed open the fire door to my right and a uniformed police officer stepped through the opening. He was followed by a man who looked like a fireman wearing an auxiliary policeman's badge, then two others in work boots and army fatigues.

Timmy said, "Oh, look, it's the Village People!"

A second uniformed officer appeared through the doorway from the main room and walked to the bar. Lionel the truck driver turned toward him and glared. The first officer who had entered stood in the center of the room and instructed us to face the walls and place our hands against them high up. His tone was not menacing. It was that of a coach or gym teacher. He clapped his hands a couple of times, and I half-expected him to yell, "Twenty laps!"

The one who frisked me was the plainclothesman, the customer in the windbreaker.

I said, "Am I accused of a crime?"

"Shut up, faggot!"

I concentrated on a spot on the wall in front of my face and thought, don't do it. There's nothing to be gained. Don't do it. Later.

Now I knew.

He yanked out my wallet and had me hold it open to my driver's license while he wrote down my name and address.

Over my shoulder I saw two big men being led away, the bartender and Lionel the truck driver.

Jim Nordstrum came in from the main room and leaned against the bar, watching. The officer in charge glanced his way, then ignored him. When everyone had been frisked and our IDs taken down, the officer announced, "Everybody outta here! Get moving!"

People moved toward the exits as if a bomb had been discovered. No rebellious Stonewall queens, these.

Several of us gathered around my car in the parking lot and watched as other customers hurried to their cars and drove off. Lionel and the red-suspendered bartender were sitting in the backseat of a Bergenfield police department cruiser. The bartender stared straight ahead; Lionel was slapping the side of his head as if he had a bug in his ear. A third man, who'd been carrying a joint in his shirt pocket, we later learned, was hustled into the backseat beside them.

The officer in charge came out; Jim Nordstrum walked beside him, in handcuffs. As the officer opened the door of an unmarked sedan and shoved Nordstrum in, I walked over and: said, "Jim, we'll call your lawyer." He looked at me with blazing eyes and nodded once. The cop, whose badge I could now see read Chief, said to me: "Your pal here attempted to bribe a police officer. That's a serious offense."

37
Перейти на страницу:

Вы читаете книгу


Stevenson Richard - Death Trick Death Trick
Мир литературы

Жанры

Фантастика и фэнтези

Детективы и триллеры

Проза

Любовные романы

Приключения

Детские

Поэзия и драматургия

Старинная литература

Научно-образовательная

Компьютеры и интернет

Справочная литература

Документальная литература

Религия и духовность

Юмор

Дом и семья

Деловая литература

Жанр не определен

Техника

Прочее

Драматургия

Фольклор

Военное дело