Mud Vein - Fisher Tarryn - Страница 45

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“Why can’t you love wedding cake, Brenna?”

“Why can’t I take your darkness away?”

“Why can’t you be who I need?”

But, I didn’t fail Nick. He failed me. Love sticks, and it stays and it braves the bullshit. Like Isaac did. And I am mad at Isaac because he is all of that. And I am all of this. It’s irrational.

We finish our project—the page project, as we call it. In the end we have four piles and only three books: Mine, Nick’s, and the nameless book. The fourth pile is the thickest and the most confusing. I stack each one with care that is mostly habit, lining up the corners until none of the pages poke past each other. The problem is, there is nothing on the pages. Each one is bone white. I have the fleeting thought that the zookeeper wants me to write a new book, then Yul Brenner reminds me that my personal Annie Wilkes didn’t leave me a pen. Can’t write a book without a pen. I wonder if I can resuscitate the old Bic we used when we first woke up here.

It must be symbolic, like the pictures hung all over the house—pictures of hollow sparrows, and bearers of death. I stare at the piles of paper while Isaac makes us tea. I can hear the tinkle of the spoon as it hits the sides of the ceramic cup. I murmur something to the books spread out around me, my lips moving in incantation. We may have separated them, but without page numbers they are still out of order. How do you bring order to a book you’ve never read? Or maybe that’s point of this little exercise. Maybe I’m supposed to bring my own personal order to the two books I’ve never read. Either way, I’m telling them to sort themselves out and speak to me. Voices have been, and always will be, too afraid to speak with as much volume as a book. That’s why writers write—to say things loudly with ink. To give feet to thoughts; to make quiet, still feelings loudly heard. In these pages are thoughts that the zookeeper wants me to hear. I don’t know why, and I don’t care except to get out of here. To get Isaac out of here.

“Do you want to have children?” he asks me when he carries our tea into the room. I am startled by the randomness of his question. We don’t talk about normal things. Our conversations are about survival. My hand trembles when I take the cup. Who could think about children at a time like this? Two pals just sitting around, chatting about their life expectations? I want to rip open my shirt and remind him that he cut off my breasts. Remind him that we are prisoners. People in our predicament didn’t talk about the possibility of children. But still … because it is Isaac who asks me, and because he has given so much, I let my mind rove over what he’s saying.

I once saw a toddler throw a fit at Heathrow Airport. Her older sister confiscated an iPhone from the little girl’s hands when she threatened to send it flying across the floor. As with most children, the tiny girl, who teetered on fresh, newly-walking legs, had a loud, indignant response. She wailed, dropped to her knees and made an awful herky-jerky noise that sounded like an ambulance siren. It rose and fell in crescendo, causing people to look and wince. As she wailed, she slid backwards on the ground until she was lying face up, her knees bent underneath her. I watched in astonishment as her arms flailed about, alternating between what looked like the backstroke and an interpretive butterfly dance. Her face was pressed into an anguished scowl, her mouth still sending out those godawful noises, when all of a sudden she scrambled to her feet, and ran laughing toward a fountain a few yards away.

As far as I was concerned children had bipolar disorder. They were angry, unpredictable, emotional ambulance-sirens with pigtails, grubby hands and food-crusted mouths that twisted from smiles to frowns and back again as quick as a breath. No, thank you very much. If I wanted a three-foot warlord as my master, I’d hire a rabid monkey to do the job.

“No,” I say.

He takes a long sip. Nods. “I didn’t think so.”

I wait for him to tell me why he asked, but he doesn’t. After a few minutes it clicks together—snap, snap, snap—and I feel sick. Isaac hasn’t been eating. He hasn’t been sleeping. He hasn’t been speaking much. I’ve watched him deteriorate slowly over the last week, coming alive only for the delivery of the white box. I suddenly feel less angry about his out-of-place question. More concerned.

“How long have we been here?” I ask.

“Nine months.”

My Rubik’s cube brain twists. More of my anger dissipates.

When we first woke up here he told me that Daphne was eight weeks pregnant.

“She carried to term,” I say, firmly. I search my brain for something else he needs to hear. “You have a healthy baby and it comforts her to have a part of you with her.”

I don’t know if this comforts him, but it’s all I know how to say.

He doesn’t move or acknowledge my words. He’s suffering. I stand up wobbling slightly. I have to do something. I have to feed him. Like he fed me when I was suffering. I linger in the doorway, watching the slight rise and fall of his shoulders as he breathes.

This is my fault. Isaac shouldn’t be here. I’ve ruined his life. I never read Nick’s book. Just those few chapters that Isaac read to me while sitting on the edge of my hospital bed. I didn’t want to see how the story ended. That’s why I swallowed it. But, now I do. I suddenly have the urge to know how Nick ended our story. What he had to say about the way things between us dissolved. It was his story that compelled me to write an answer, and get myself imprisoned in the middle of the fucking South Pole. With my doctor. Who shouldn’t be here.

I make dinner. It’s difficult to focus on anything other than the gift that the zookeeper left for me, but Isaac’s hurt outweighs my obsession. I open three cans of vegetables, and boil pasta shaped like bow ties. I mix them together, adding a little canned chicken broth. I carry the plates to the living room. We can’t eat at the table anymore, so we eat here. I call up to Isaac. He comes down a minute later, but he only pushes the food around on his plate, stabbing a different vegetable on each prong of his fork. Is this what he felt when he watched me slip into darkness? I want to open his mouth and pour the food down his throat. Make him live. Eat, Isaac. I mentally plead. But he doesn’t.

I save his plate of food, setting it in the fridge, which doesn’t quite work since he stripped off the rubber sealant to make a pedal for his drums.

I hobble up to the carousel room using my new crutch. The room smells musty and there is a faint sweet smell of piss. I eye the black horse. The one who shares my pierced heart. He looks meaner today. I lean into him, resting my head against his neck. I touch his mane lightly. Then my hand goes to the arrow. I grip it in a fist, wishing I could break it off and end both of our suffering. More than that—wishing I could end Isaac’s.

My eyelids flutter as my brain trills. When did I decide that the zookeeper was a man? It doesn’t fit. My publishing company has done research on my reader base, and it consists mostly of women in their thirties and forties. I have male readers. I get e-mails from them, but to go this far … I should see a woman. But I don’t. I see a man. Either way, I’m in his head. He’s just a character to me; someone I can’t really see, but I can see how his mind works by the way he’s playing games with me. And the longer I’m here, the more he’s taking form. This is my job; this is what I’m good at. If I can figure out his plot, I can outsmart him. Get Isaac out of here. He needs to meet his baby.

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