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The Angels Weep - Smith Wilbur - Страница 101


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Tungata took a handful of clay from his basket and rolled it into a thick soft sausage between his pink palms. Then he moulded it with practised skill, forming the humped back and sturdy legs. When it was complete, he set the body carefully between his knees on a slab of dried bark, then turned his attention to sculpting the head separately with curved red devil thorns for the horns and chips of water worn rock-crystal for the eyes. He attached the head to the thick neck, sticking out his tongue with concentration as he adjusted it to a proud angle, and then he sat back and studied it with a critical eye.

"Inkunzi Nkulu!"he hailed his creation. "Great Bull!" Grinning with delight, he carried the clay beast to the ant heap and set it on its bark base to dry in the sun. Then he hurried back to begin making the cows and calves for his herd. As he worked, he mocked the creations of the other boys, comparing them to his own great herd bull, and grinning cheekily at their retorts.

Tanase watched him from the shadows. She had come silently down the path through the thick riverine bush, led on by the tinkling of child-laughter, and the happy banter. Now she was reluctant to interrupt this magical moment.

In the sadness and striving, in the menace and smoke of war, it seemed that all joy and laughter had been forgotten. It needed the resilience and vision of a child to remind her of what had once been and what might be again. She felt a suffocating weight of love overwhelm her, followed almost immediately by a formless dread. She wanted to rush to the child and take him in her arms, to hold him tightly to her bosom and protect him from she was not sure what.

Then Tungata. looked up and saw her, and came to her carrying the clay bull with shy pride.

"See what I have made." "It is beautiful." "It is for you, Umame, I made it for you." Tanase took the offering. "He is a fine bull, and he will breed many calves, she said, and her love was so strong that the tears scalded her eyelids. She did not want the child to see it.

"Wash the clay off your legs and arms," she told him. "We must go up to the cave." He skipped beside her on the path, his body still wet from the river, his skin glistening with a velvety black sheen, laughing delightedly when Tanase set the clay bull upon her head, walking straight-backed and hips swinging, to balance the load.

They came up the path to the base of the cliff. It was not truly a cave, but a long low overhang of the cliff face. They were not the first to use it as a home. The rocky roof was blackened with the soot of innumerable cooking-fires, and the back wall was decorated with the ancient paintings and engravings of the little yellow Bushmen who had hunted here long before Mzilikazi led his imp is into these hills. They were wonderful pictures of rhinoceros and giraffe and gazelle, and of the little stick figures, armed with bows and outsized genitalia, who hunted them.

There were almost five hundred persons living in this place, one of the secret safe places of the tribe, where the women and the children were sent when war or some other catastrophe threatened the Matabele. Though the valley was steep and narrow, there were five escape routes, hidden paths scaling the cliffs or narrow clefts through the granite, which made it impossible for an enemy to trap them in the gut of the valley.

The stream provided fresh clear water for drinking, thirty milk cows that had survived the rinderpest provided mass, the soured milk which was one of the tribe's staples. And when they marched in, every woman had borne upon her head a leather grain-bag. The locusts had depleted the harvest, but with careful planning they could exist here for many months.

The women were spread out down the length of the rock shelter, busy with their separate tasks. Some of them were stamping the corn in mortars carved from a dried tree-trunk, using a heavy wooden pestle that they swung up with both hands above their head and then let drop of its own weight into the cup of the mortar, clapping their hands and then seizing the club to lift it for the next stroke. Others were plaiting bark cloth for sleeping-mats, or tanning wild animals" skins, or stringing ceramic beads. Over it all hung the faint blue mist of the cooking-fires, and the sweet hum of women's voices, interspersed with the gurgling and chirping of black babes who crawled naked on the rocky floor, or hung like fat limpets from their mothers" breasts.

Juba was at the far end of the shelter, imparting to two of her daughters and the new wife of one of her middle sons the delicate secrets of beer-brewing. The sorghum grain had been soaked and had germinated, now came the drying and grinding of the yeast. It was an absorbing task, and Juba did not become aware of the presence of her senior daughterin-law and her eldest grandson until they stood over her. Then she looked up, and her smile split the great round of her face. "my mother" Tanase knelt before her respectfully. "I must speak with you." Juba struggled to rise, but was pinned by her own vast weight. Her daughters took an elbow each and heaved her upright. Once she was on her feet, she moved with surprising agility, swept Tungata onto her hip and carried him easily along the pathway. Tanase fell in beside her.

"Bazo has sent for me," Tanase told her. "There is dissension amongst the indunas, Bazo needs the words of the Umlimo made clear.

Without that the struggle will fall into vacillation and talk. We will lose all that we have won so dearly." "Then you must go, my child." "I must go swiftly, I cannot take Tungata with me." "He is safe here, I will look after him. When do you leave?" "Immediately." Juba sighed and nodded. "So be it." Tanase touched the child's cheek.

"Obey your grandmother," she said softly, and like a shadow was gone around the bend of the narrow pathway.

Tanase passed through the granite portals that guarded the valley of the Umlimo. She had only her memories of this place for travelling companions, and they were not good company. Yet when she went down the path, she walked straight, with a kind of antelope grace, her long limbs swinging freely and her head held high on the long heron's neck.

As soon as she entered the little cluster of huts in the bottom of the valley, her trained senses were immediately aware of the tensions and angers that hung over the place like a sickly miasma over a fever swamp. She could feel the anger and frustration in Bazo when she knelt before him, and made her dutiful obeisance. She knew so well what those knots of tense muscle at the points of his clenched jaw and the reddish glaze in his eyes meant.

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Smith Wilbur - The Angels Weep The Angels Weep
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