Выбери любимый жанр

Aztec - Jennings Gary - Страница 43


Изменить размер шрифта:

43

"Schools!" snorted Tlatli. "It is precious little time we have for school work. Every day the vile priests roust us out at dawn to sweep and clean our quarters and all the rooms of the whole building. Then we must go to the lake to tend the school's chinampa, and pick maize and beans for the school kitchen. Or go all the way to the mainland to chop wood for the sacred fires, to cut and fetch bags full of maguey thorns."

I said, "The food and firewood I can understand, but why the thorns?"

"For penance and punishment, friend Mole," Chimali growled. "Break the slightest rule and a priest makes you prick yourself repeatedly. In the earlobes, in the thumbs and arms, even in private places. I am punctured all over."

"But even the best-behaved suffer too," added Tlatli. "Every other day seems to be the feast day of some god or other, including many I have never heard of, and every boy must shed blood for the offering."

One of the listeners asked, "When do you find time for studying?"

Chimali made a face. "What little time there is does not avail us much. The teacher priests are not learned men. They know nothing except what there is in the textbooks, and those books are old and smudged and falling apart into shreds of bark."

Tlatli said, "Chimali and I are fortunate, though. We did not go for book learning, so the lack of it does not much trouble us. Also, we spend most of our days in the studios of our art masters, who do not waste time on religious drivel. They work us hard, so we do learn what we came to learn."

"Some other boys do, too," said Chimali. "Those who are similarly apprenticed out—to physicians, feather workers, musicians, and the like. But I pity those who came to learn classroom subjects like the art of word knowing. When they are not engaged in rituals and bloody mortification and menial labor, they are being taught by priests as ignorant as any of the students. You can be glad, Mole, that you did not get into a calmecac. There is little to learn in one, unless you desire to be a priest yourself."

"And nobody," said Tlatli, shuddering, "would want to be a priest of any god, unless he wants never to have sex or a drink of octli or even a bath just once in his life. And unless he truly enjoys hurting himself as well as seeing other people in pain."

I had once felt envy of Tlatli and Chimali, when they donned their best mantles and went away to their separate schools. Now here they were, still wearing the same mantles, and it was they who envied me. I did not have to say a word about the luxurious life I enjoyed at the court of Nezahualpili. They were sufficiently impressed when I remarked that our textbooks were painted on smoked fawnskin for durability, and when I mentioned the absence of religious interruptions, the few rules and little rigidity, the willingness of the teachers to give private tutorial sessions.

"Imagine!" murmured Tlatli. "Teachers who have worked at what they teach."

"Fawnskin textbooks," murmured Chimali.

There was a stir among the people nearest the door, and all of a sudden Pactli strode in, as if he had deliberately timed his arrival to display the superior product of the most select and prestigious kind of calmecac. Numerous persons dropped to kiss the earth to the son of their governor, but there was not room for all to do so.

"Mixpantzinco," my father greeted him, uncertainly.

Ignoring my father, not bothering to utter the customary response, Pactli spoke directly to me. "I came to request your aid, young Mole." He handed me a strip of folded bark paper and said, as comradely as he knew how, "I understand that your study is concentrated on the art of word knowing, and I ask that you give me your opinion of this effort of mine, before I return to school and submit it to the criticism of my Lord Teacher." But while he spoke to me, his eyes shifted to my sister. It must have cost the Lord Joy a pang, I thought, to have to use me as an excuse for visiting before midnight should make a visit impossible.

Though Pactli could not have cared a little finger for my opinion of his writing—he was openly leering at my sister now—I flipped through the pleated pages and said boredly, "In which direction am I supposed to read this?"

Several people looked aghast at my tone of voice, and Pactli grunted as if I had struck him. He glared at me and said, through his teeth, "From left to right, Mole, as you know very well."

"Usually from left to right, yes, but not always," I said. "The first and most basic rule of writing, which apparently you have not grapsed, is that the majority of your pictured characters must all face in the direction the writing is to be read."

I must have been feeling uncommonly inflated by the finery of my costume, by having just come from a court infinitely more cultured than Pactli's, and by being the center of attention of a houseful of friends and relations—or I should probably not have dared to flout the conventions of servility. Not troubling to scan the paper further, I refolded and handed it back to him.

Have you ever noticed, Your Excellency, how the same emotion of rage can make different persons turn different colors? Pactli's face had gone almost purple, my mother's almost white. Tzitzi lightly brushed her hand across her mouth in the gesture of surprise, but then she laughed; so did Tlatli and Chimali. Pactli turned his baleful glare from me to them, then swept it around the entire assemblage, most of whom seemed to be wishing they could turn yet another color: the invisible color of the invisible air. Speechless with fury, the Lord Joy crushed his paper together in his fist and stalked out, rudely shouldering those who could not immediately make way for him.

Most of the rest of the company also left straightaway, as if thereby they could somehow disassociate themselves from my insubordination. They gave the excuse that their houses were more or less distant from ours, and they wanted to hurry home before darkness fell, to make sure that not a single ember in their hearths had been accidentally left smoldering alight. While that mass departure was in progress, Chimali and Tlatli both gave me supportive grins, Tzitzi pressed my hand, my father looked stricken, and my mother looked glazed with frost. But not everyone left. Some of the guests were staunch enough not to feel trepidation at the contumacy I had displayed—and had displayed on the very eve of the lifeless days.

During those coming five days, you see, to do anything was regarded as rash—patently fruitless and possibly hazardous. The days were not really days; they were only a necessary gap between the year's last month of Xiutecutli and the next year's first month of Cuahuitl Ehua; they did not exist as days. Hence we tried to keep our own existence as imperceptible as possible. That was the time of year when the gods lazed and drowsed; even the sun was pale and cool and low in the sky. No sensible person would do anything to disturb the gods' languor and risk their annoyance.

So, during the five hollow days, all worked stopped. All activities ceased, barring the most essential and unavoidable tasks. All house fires and lights were extinguished. No cooking was done and only meager cold meals were served. People did not travel or visit or mingle into crowds. Husbands and wives refrained from sexual connection. (They also refrained, or took precautions, at the proper time previous to the nemontemtin, for a child born during the lifeless days was seldom let survive them.) Throughout all our lands, then, most people stayed indoors and occupied themselves with trivial timepassers like flaking tools or mending nets, or they simply sat about and moped.

43
Перейти на страницу:

Вы читаете книгу


Jennings Gary - Aztec Aztec
Мир литературы

Жанры

Фантастика и фэнтези

Детективы и триллеры

Проза

Любовные романы

Приключения

Детские

Поэзия и драматургия

Старинная литература

Научно-образовательная

Компьютеры и интернет

Справочная литература

Документальная литература

Религия и духовность

Юмор

Дом и семья

Деловая литература

Жанр не определен

Техника

Прочее

Драматургия

Фольклор

Военное дело