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Pia took one look at the drenched and bedraggled figure at her door and shook her head.

"You look like you've crawled out of the sea." She pulled Austin in by the sleeve and ordered him to go into the bathroom and strip. Austin was too wet to protest. While he was undressing, she cracked the door open and tossed in a towel and dry clothes.

"I was sure my husband's clothes would fit," she said approvingly, when Austin ventured out in the shirt and pants. "He was a big man like you."

While Pia set the table, Austin spread his clothes out next to a wood stove, then stood practically on top of it, basking in the heat, until she informed him that dinner was ready.

The baked fresh cod melted in his mouth. They washed dinner down with a light homemade white wine. Dessert was a sweet raisin pudding. Over their meal, she talked about her life in the Faroes, and Austin told her a little about his NUMA work. She was fascinated by his travels to exotic places for his NUMA assignments.

"I forgot to ask, did you have a good walk, even with the rain?" Pia said as she cleared the dishes.

"I climbed to the top of the cliffs. The views were incredible. I saw the fish farm you mentioned. Do they allow visitors?"

"Oh no/9 Pia replied, with a shake other head. "They don't let anyone in. Like I said before, none of the village men work there. There's a road along the shore that they used when they were build- ing, but it's blocked off with a high fence. Everything comes and goes by sea. They say it's like a separate town out there."

"Sounds interesting. Too bad no one can get in."

Pia refilled Austin's glass and gave him a sly look. "I could get in in a minute if I wanted to, through the Mermaid's Gate."

He shook his head, unsure he had heard her correctly. "The Mer- maid's Gate?"

"That's what my father used to call the natural arch at the edge of the old harbor. He used to take me out sometimes in his boat, and we'd go there. He never took me in. It's dangerous because of the cur- rents and rocks. Some men have drowned trying to go through the gate, so the fishermen stay away. They say it's haunted by the souls of the dead. You can hear them moaning, but it's only the way the wind blows through the caves."

"It sounds as if your father wasn't afraid of ghosts." "He wasn't afraid of any thing."

"What do these caves have to do with the fish farm?" "It's a way to go in. One cave joins others that lead to the old har- bor. My father said there are paintings on the walls. Wait, I'll show you.

She went to a bookcase and took out an old family album. Tucked between pages of photos was a sheet of paper, which she unfolded and spread on the table. Drawn on the paper were rough sketches of bison and deer. More interesting to Austin were depictions of long graceful boats powered by sail and oar.

"These are very old drawings," Austin said, although he was un- able to place them in time. "Did your father show them to anyone else?"

"Not outside the family. He wanted the caves kept a secret be- cause he was afraid they would get ruined if people knew about them."

"Then the caves can't be entered from the land side?"

"There was a way, but it was blocked with boulders. My father said it would be no problem to move them. He wanted to get some sci- entists in from the university so it would be done right, but he died in a storm."

I'm sorry.

Pia smiled. "Like I said, he wasn't afraid of anything. Anyhow, after he died, my mother moved the family away to live with rela- tives. I came back here with my husband. I was too busy raising kids to worry about the caves. Then the fish company bought the land and the old whaling station, and no one could get out there."

"Are there more pictures?"

She shook her head. "Poppa tried to make a map of the caves, but I don't know what happened to it. He said the people who made the paintings were smart. They used pictures offish and birds like signs. As long as you follow the right fish, you won't get lost. Some of the caves lead to blind alleys."

They talked into the night. Austin finally looked at his watch and said that he had to go. Pia wouldn't let him leave until he agreed to return for dinner the next evening. He drove along the deserted road in the dusky light that passes for night in northern climes.

A light was on at the main house, but he saw no sign ofJepsen, and guessed he had gone to bed. The rain had ended. He went out on the porch and stood there awhile, looking down on the quiet village and harbor, then went back inside the cottage and got ready to sack out. Although the remote village seemed peaceful, he couldn't shake the uneasy feeling that Skaalshavn was a place of dark secrets. Before he turned in, he made sure that the door and windows were locked.

11

PAUL TROUT THREADED the wide-beamed Humvee through the heavy Washington traffic like a runner going for a touchdown at the Super Bowl. Although he and Gamay often took the Hummer on four-wheeling family trips in the Virginia country- side, nothing they encountered off-road could compare with the chal- lenges of driving in the nation's capital. They made good time, though, as Gamay called out openings in the traffic and Paul spun the wheel over without looking. Their ability to work together like a well-oiled machine had been crucial on countless NUMA assign- ments and was a tribute to the acumen of Admiral Sandecker, who had hired them together.

Paul turned down a narrow Georgetown street and tucked the Humvee into the parking space behind their brick town house, and they bolted for the door. Minutes later, they were jumping into a taxi, their hastily packed overnight bags in hand. The NUMA exec- utive jet was waiting at the airport with its engines warming up. The pilot, who was flying a contingent of scientists to Boston, knew the Trouts from past missions with the Special Assignments Team. She had gotten the okay from NUMA to add the extra leg to her trip and filed a new flight plan.

After dropping off the scientists at Logan Airport, the plane con- tinued up the Atlantic coast. With a cruising speed of nearly five hundred miles an hour, the Cessna Citation had the Trouts in Hali- fax, Nova Scoria, in time for a late dinner. They stayed overnight at a hotel near the airport and caught an Air Canada flight to Cape Breton early the next morning, then rented a car at the Sydney air- port and drove out of the city up the rocky coast to look for the pro- cessing plant that Oceanus had acquired. Gamay had picked up a travel guide at the airport. The travel writer who'd written the sec- tion describing this part of the remote coast must have been desper- ate, because he had listed the fish-processing plant as a tourist attraction.

After not seeing any signs of civilization for many miles, they came upon a combination general store, coffee shop and service station. Gamay, who was taking her turn at the wheel, pulled alongside the battered pickup trucks lined up in front of the ramshackle false-front building.

Paul looked up from the map he was studying. "Charming, but we've got another few miles before we get to the center of town."

"We have to stop for gas anyhow," Gamay said, tapping the fuel gauge. "While you pump the pump, I'll pump the locals for gossip."

Tucking the guidebook under her arm, Gamay stepped over the mangy black Labrador retriever stretched out in a deathlike sleep on the rickety front porch and pushed the door open. Her nostrils were greeted by a pleasant fragrance of pipe tobacco, bacon and coffee. The store, which occupied one half of the room, was crammed with every sort of item, from beef jerky to rifle ammunition. The coffee shop took up the other side of the store.

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Cussler Clive - White Death White Death
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