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The Wind in the Willows - Grahame Kenneth - Страница 13


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‘You really needn’t fret, Ratty,’ added the Badger placidly. ‘My passages run further than you think, and I’ve bolt-holes to the edge of the wood in several directions, though I don’t care for everybody to know about them. When you really have to go, you shall leave by one of my short cuts. Meantime, make yourself easy, and sit down again.’

The Rat was nevertheless still anxious to be off and attend to his river, so the Badger, taking up his lantern again, led the way along a damp and airless tunnel that wound and dipped, part vaulted, part hewn through solid rock, for a weary distance that seemed to be miles. At last daylight began to show itself confusedly through tangled growth overhanging the mouth of the passage; and the Badger, bidding them a hasty good-bye, pushed them hurriedly through the opening, made everything look as natural as possible again, with creepers, brushwood, and dead leaves, and retreated.

They found themselves standing on the very edge of the Wild Wood. Rocks and brambles and tree-roots behind them, confusedly heaped and tangled; in front, a great space of quiet fields, hemmed by lines of hedges black on the snow, and, far ahead, a glint of the familiar old river, while the wintry sun hung red and low on the horizon. The Otter, as knowing all the paths, took charge of the party, and they trailed out on a bee-line for a distant stile. Pausing there a moment and looking back, they saw the whole mass of the Wild Wood, dense, menacing, compact, grimly set in vast white surroundings; simultaneously they turned and made swiftly for home, for firelight and the familiar things it played on, for the voice, sounding cheerily outside their window, of the river that they knew and trusted in all its moods, that never made them afraid with any amazement.

As he hurried along, eagerly anticipating the moment when he would be at home again among the things he knew and liked, the Mole saw clearly that he was an animal of tilled field and hedge-row, linked to the ploughed furrow, the frequented pasture, the lane of evening lingerings, the cultivated garden-plot. For others the asperities, the stubborn endurance, or the clash of actual conflict, that went with Nature in the rough; he must be wise, must keep to the pleasant places in which his lines were laid and which held adventure enough, in their way, to last for a lifetime.

Dulce Domum

The sheep ran huddling together against the hurdles, blowing out thin nostrils and stamping with delicate fore-feet, their heads thrown back and a light steam rising from the crowded sheep-pen into the frosty air, as the two animals hastened by in high spirits, with much chatter and laughter. They were returning across country after a long day’s outing with Otter, hunting and exploring on the wide uplands where certain streams tributary to their own River had their first small beginnings; and the shades of the short winter day were closing in on them, and they had still some distance to go. Plodding at random across the plough, they had heard the sheep and had made for them; and now, leading from the sheep-pen, they found a beaten track that made walking a lighter business, and responded, moreover, to that small inquiring something which all animals carry inside them, saying unmistakably, ‘Yes, quite right; this leads home!’

‘It looks as if we were coming to a village,’ said the Mole somewhat dubiously, slackening his pace, as the track, that had in time become a path and then had developed into a lane, now handed them over to the charge of a well-metalled road. The animals did not hold with villages, and their own highways, thickly frequented as they were, took an independent course, regardless of church, post office, or public-house.

‘Oh, never mind!’ said the Rat. ‘At this season of the year they’re all safe indoors by this time, sitting round the fire; men, women, and children, dogs and cats and all. We shall slip through all right, without any bother or unpleasantness, and we can have a look at them through their windows if you like, and see what they’re doing.’

The rapid nightfall of mid-December had quite beset the little village as they approached it on soft feet over a first thin fall of powdery snow. Little was visible but squares of a dusky orange-red on either side of the street, where the firelight or lamplight of each cottage overflowed through the casements into the dark world without. Most of the low latticed windows were innocent of blinds, and to the lookers-in from outside, the inmates, gathered round the tea-table, absorbed in handiwork, or talking with laughter and gesture, had each that happy grace which is the last thing the skilled actor shall capture – the natural grace which goes with perfect unconsciousness of observation. Moving at will from one theatre to another, the two spectators, so far from home themselves, had something of wistfulness in their eyes as they watched a cat being stroked, a sleepy child picked up and huddled off to bed, or a tired man stretch and knock out his pipe on the end of a smouldering log.

But it was from one little window, with its blind drawn down, a mere blank transparency on the night, that the sense of home and the little curtained world within walls – the larger stressful world of outside Nature shut out and forgotten – most pulsated. Close against the white blind hung a bird-cage, clearly silhouetted, every wire, perch, and appurtenance distinct and recognisable, even to yesterday’s dull-edged lump of sugar. On the middle perch the fluffy occupant, head tucked well into feathers, seemed so near to them as to be easily stroked, had they tried; even the delicate tips of his plumped-out plumage pencilled plainly on the illuminated screen. As they looked, the sleepy little fellow stirred uneasily, woke, shook himself, and raised his head. They could see the gape of his tiny beak as he yawned in a bored sort of way, looked round, and then settled his head into his back again, while the ruffled feathers gradually subsided into perfect stillness. Then a gust of bitter wind took them in the back of the neck, a small sting of frozen sleet on the skin woke them as from a dream, and they knew their toes to be cold and their legs tired, and their own home distant a weary way.

Once beyond the village, where the cottages ceased abruptly, on either side of the road they could smell through the darkness the friendly fields again; and they braced themselves for the last long stretch, the home stretch, the stretch that we know is bound to end, some time, in the rattle of the door-latch, the sudden firelight, and the sight of familiar things greeting us as long-absent travellers from far over-sea. They plodded along steadily and silently, each of them thinking his own thoughts. The Mole’s ran a good deal on supper, as it was pitch-dark, and it was all a strange country for him as far as he knew, and he was following obediently in the wake of the Rat, leaving the guidance entirely to him. As for the Rat, he was walking a little way ahead, as his habit was, his shoulders humped, his eyes fixed on the straight grey road in front of him; so he did not notice poor Mole when suddenly the summons reached him, and took him like an electric shock.

We others, who have long lost the more subtle of the physical senses, have not even proper terms to express an animal’s inter-communications with his surroundings, living or otherwise, and have only the word ‘smell,’ for instance, to include the whole range of delicate thrills which murmur in the nose of the animal night and day, summoning, warning? inciting, repelling. It was one of these mysterious fairy calls from out the void that suddenly reached Mole in the darkness, making him tingle through and through with its very familiar appeal, even while yet he could not clearly remember what it was. He stopped dead in his tracks, his nose searching hither and thither in its efforts to recapture the fine filament, the telegraphic current, that had so strongly moved him. A moment, and he had caught it again; and with it this time came recollection in fullest flood.

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Grahame Kenneth - The Wind in the Willows The Wind in the Willows
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